To understand the many possibilities for “cloth of gold”, I have found it useful to think of it in terms of a classification system, which starts with the constituent parts of cloth of gold’s structure:
- A “foundation weave“, with possible weaves of:
tabby/taffeta
twill, satin
lampas
velvet - Gold thread(s) as additional weft(s) – the following questions help identify the properties of the gold thread:
A) What was the gold thread made of?
filé thread – thinly pounded gold strips either used flat or wrapped around a
core fiber of silk or animal membrane
drawn wire – metal drawn very fine into a thread
B) How far across the cloth does the gold thread go?
brocade – thread just goes across the width of the gold pattern (also called “discontinuous
pattern weft”)
pattern weft (lancé) – thread goes across the entire width of the cloth (also called
“continuous pattern weft”)
C) How smooth is the gold thread pulled?
flat – (normal weave) additional metal-thread weft is pulled tightly across the cloth,
giving it a “flat” surface
looped (frisé) – (pile weave) additional metal-thread weft is drawn up over a rod to
create loops; think of what modern terry cloth (bath towels) looks like.
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